MASTER OF FINE ARTS BACHELOR OF GRAPHIC ARTS
PERSONAL EXHIBITION:
"Self-propulsion", CICA art museum, South Korea
“Graphic art by Kateryna Bortsova”, Kharkov state Art museum, Ukraine
“People of contemporaneity”, Kharkov state Art museum, Ukraine
AWARDS:
2016 – Winner of “Find Your Brilliance” contest, made by Dell and Mashable, USA
2015 – Winner of the 2016 Emirates Skywards Art of Travel competition, Dubai, UAE
2012 – Winner of cover competition of Oxford University Press, Great Britain
2012 – Silver medal in the category “realism” in participation in “Factory of visual art”,
New York, USA
2010 – Finalist of “Free press” International poster design exhibition, Italy
2007 – Finalist of 6 Francisco Mantecon International Poster Competition, Spain
RESIDENCY:
2024 – New York Mills Art retreat program, USA
2023 – El Hacedor art residency, La Aldea del Portillo de Busto, Spain
2022 – PILOTENKUECHE The International Art Program 51 round, Leipzig, Germany
2021 – Faberllull Olot, Catalonia, Spain
2020 - Grand from Casa Tagumerche art residency, Canarias Islands, Spain
2018 – JIWAR art residence, Barcelona, Spain
2017 – GLO’ART Residence, Lanaken, Belgium
2016 – 52nd International art Colony Pocitelj, Pocitelj, Bosnia and Hercegovina
PUBLICATIONS:
2025 – Cover for ZO Magazine's, LA, USA
2024 – Cover for The Meadow: Literary and Arts Journal, Truckee Meadows Community
College, USA
2023 – Cover of Ignatian Literary Magazine V36 I. 1, University of San Francisco, USA
2023 – Issue II of Women United ART MAGAZINE, Czech Republic
2023 – 3rd Place for the final Blue Expo Video, ZO Magazine's, LA, USA
2022 – Defunkt magazine, Volume 11, Houston, Texas, USA
2022 – Cover for V. 33 Sierra Nevada Review, University of Nevada, USA
2022 – Oxford Magazine Issue 49, Miami University, USA
2022 – VAINE magazine Issue 06 “Place and Identity”, UK
2022 – “Beauty in Rigor: The Art of Kateryna Bortsova”, Issue 3: In Our Hands,
I, Enheduanna, USA
2022 – Cover for Cold Mountain Review, Special Issue on Identity Volume 50,
Appalachian State University, USA
2022 – ModPortrait 2021, Galería artelibre, ISBN 978-84-09-31302-0, Spain
2022 – Blood Orange Review, issue 14.1, Washington State University, USA
2022 – The Thought Collective, Issue one: The Everyday, Singapore
2022 – Bealtaine magazine, Issue 2, Co. Cork, Ireland
2021 – Sutterville review, First Issue, Land Park Press, Sacramento, California, USA
2021 – Superstition Review, Issue 28, Arizona State University, USA
2021 – Cover for PacificREVIEW: The Mirror Maze, San Diego State University, USA
2021 – NNC art magazine June 2021, Amsterdam, Netherland
2021 – The Red Zenith Equality Zine, First Issue, London, UK
2021 – Winner of the Censorship & Freedom Contest, The Abstract Elephant Magazine LLC, USA
2021 – Cover for APERO fine art catalogue, January 2021, USA
2021 – Cover art for CAMAS Winter 2020, Resilience, the University of Montana, USA
2020 – Interview for Negromundo, Alicante, Spain, http://www.negromundo.com/kateryna-bortsova-entrevista/
2020 – Cover art for Volume 3 Issue 1 of Margins Magazine, The UTSC Women's and Trans Centre, University of Toronto, Canada
2020 – Phoebe Issue 49.2, George Mason University, Fairfax, Virginia, USA
2019 – Sheepshead Review, Volume 42, № 1, UW-Green Bay’s Journal of Literature and Art, USA
2019 – Cover of High Plains Register, Laramie County Community College in Cheyenne,
Wyoming, USA
2019 – Cover of Lily Poetry Review Volume1 Issue 2, USA
2019 – Cover of Door is a Jar Magazine, Issue 10 Spring, USA
2019 – The Oakland Review, Volume XLIV, Carnegie Mellon University, USA
2019 – Cover art of The Central Dissent: A Journal of Gender and Sexuality, the University of Central Oklahoma, USA
2018 – Anastamos journal, Issue 4, Chapman University, California, USA
2018 – New Plains Review, spring 2018, the University of Central Oklahoma , USA
2018 – The Healing Muse, the annual journal of literary and visual art, Volume 18, New York, USA
2018 – Ponder Review, Volume 2, Issue 1, Mississippi University for Women, USA
2018 – Scene & Heard a journal of artistic reflections, salutatory issue, Florida, USA
2018 – Levitate literary magazine, Issue 2, the Chicago High School for the Arts, USA
2014 – Interview for Landescape Art Review , January
2012 – Cover for The British Journal of Aesthetics, Volume 52, Issue 4, UK
BIENNALE, COMPETITIONS, GROUP EXHIBITIONS:
2025 – Finalist in category International short film, FINI, Mexico
2024 – OFFICIALLY SELECTED for Accordi @ DISACCORDI – International Short Film Festival – 2 st Edition, Napoli, Italy
2024 – the 2nd International Digital Art Biennial THE ONE, Fundacja Piñata, Toruń, Poland
2023 – “Connecting Cultures”, the first Dubai Calligraphy Biennale, Dubai Design District, Dubai, UAE
2023 – Neon Gala at the Nicolaysen Art Museum (The NIC), USA
2023 – “Genesis: The Beginning of Creativity”, Jewish Art Salon, Riverside Church, New York, USA
2023 – Women’s Art Forum, Ostraca arts, Hurghada, Luxor, Egypt
2023 – Ras Al Khaimah Fine Arts Festival, Ras Al Khaimah, UAE
2022 – “Streben nach Glück”, Kulturkorridor, MoonArt Gallery, Aachen, Germany
2022 – 5th Annual PASA Festival, Seoul, South Korea, Hanoi, Vietnam
2022 – Deeply Pelusa Life, Alte Handelsschule, Leipzig, Germany
2022 – XXII Bienal Internacional de Arte de Cerveira, Fundação Bienal de Arte de Cerveira, Vila Nova da Cerveira, Portugal
2022 – International exhibition “Erotic Art Show”, Rhizome, Washington, USA
2022 – City Crush 10, festival of street culture, Werk 2, Leipzig, Germany
2022 – “Krieg und Frieden”, Kulturkorridor, MoonArt Gallery, Leipzig, Germany
2022 – Dark Hope Respite, PILOTENKUECHE, Leipzig, Germany
2022 – ALC, video festival, Pozos de Garrigós: Museo de Aguas de Alicante, Alicante, Spain
2021 – Artspace Bremerhaven, ASSOCIATION "DIE ALTE BÜRGER" E.V., Bremerhaven, Germany
2021 – Remote Closeness exhibition, by Factory’s Public Art Program /the JNGFA, the Goethe-Institut in Jordan, the Institut Français de Jordanie, and funded by the Franco-German Cultural Fund, Jordan
2021 – Every Woman Biennial, Copeland Gallery in Peckham, London, UK
2021 – ARTIM Flux “Do not run! This is only a mirage you see…”, YARAT Contemporary Art Space, Baku, Azerbaijan
2020 –“Corona and Climate Crisis” Gallery in the Project space of Global 3000 Group e.V., Berlin, Germany
2020 – Exhibition of Don Sante Award for Contemporary Art, Bari, Italy
2019 – “Is there a life after plastic?”, BIS ART Gallery, Winzavod, Moscow, Russia
2019 – “Musas” International art exhibition, Alicante, Spain
2017 – International exhibition “Lethes Art. Memorty & Identiti(es)”, Ponte de Lima, Portugal
2017 – Art Revolution Taipei, Taipei, Taiwan
2016 – ART.WHO.ART #6 festival, Moscow
2016 – Re-Cognition, ART-MAP, arquivo municipal, Ponte de Lima, Portugal
2016 – UAMO festival “Fortress”, Munich, Germany
2015 – The New York Coffee Festival, New York, USA
2013 – “A Glimpse of the Future”, 8 International Digital Miniprint Exhibition, Ottawa, Canada.
2012 – “Matrices 2012” International electrographic art exhibition of small forms, Budapest, Hungary
2011 – “Haven and Earth” an international fine art exhibition, West Park Art Gallery, New York, USA
2010 – 30 Mini Print International, Cadaques, Spain
AUTHOR OF MONOGRAPH: “The contribution of N. Samokish to the development of graphic arts of end of XIX – early XX centuries”. / E. Bortsova. - Saarbrucken: LAP LAMBERT Academic Publishing, 2015 - 118 p. And more than 20 articles published in scientific journals in Ukraine, Germany.
ART COLLECTIONS: Private collections in Ukraine, Serbia, UK, USA, Italy, Australia, China, Sweden, Spain, France, Albania, Hon Kong; The City Gallery of Uzice, Serbia; Palazzo Sturm, Bassano del Grappa, Italy; The town hall of Xativa, Spain; collections of Bodegas Terras Gauda, S. A.; collections of Tetovo Art museum; collections of Bitola museum; collections of Brest Regional Museum, Belarus; collection of of the Association of artists in B&H; collections of Hungarian Electrographic Art Association; collections of Centre d’artistes Voix Visuelle; Emirates Skywards Art Collection, Dubai, UAE; The museological collection of Ponte de Lima, Portugal; Glo’art collection, Belgium; collection of YARAT Contemporary Art Space, Baku, Azerbaijan; collection of The Jordan National Gallery of Fine Arts.
PROFESSIONAL EXPIRIENCE:
Lecturer at Kharkov State College of Textiles and Design
Researcher of department of Western European Art at Kharkov State Art Museum
Lecturer (graphic arts) at Kharkov State Art College
